821. Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb

This illustration originally appeared in Issue D of the excellent film zine Shelf Heroes.

Well, what can I say about this film? It’s one of my absolute all-time favorites, and I’ve watched it more times than I can count. In case there’s anyone who hasn’t seen it, DR. STRANGELOVE is Stanley Kubrick’s Cold War black comedy about nuclear annihilation, starring Peter Sellers in three separate roles. As satire, it’s basically perfect, squeezing every bit of humor out of the fact that our world’s safety rests with a handful of men who are either petty, incompetent, or unbalanced. And as terrifyingly realistic as the chain of events seems to be, it’s also funny as hell, start to finish, even fifty viewings later. I could easily rattle off a list of favorite jokes, or expound on how Kubrick matched his deliberate style to comedy, or explore the broad influence of the film’s iconic imagery. But lately I’ve been giving more thought to the film’s singular plot. Peter Sellers may play a range of parts, yet this is a film with only two characters: the earth, and humanity. And I’d be hard-pressed to name another film that makes me want to root less for humanity. Especially one this goddamn delightful.

drstrangelove

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