Here’s my contribution for the Criterion Blogathon, hosted by Criterion Blues, Speakeasy, and Silver Screenings. Make sure to take a look at everything else being blogged this week in the Criterion-verse.
Although it’s considered one of the greatest French films ever made, I was still a little wary going into a 3+ hour epic featuring a mime. I shouldn’t have worried. Marcel Carné’s CHILDREN OF PARADISE is engaging and perfectly paced throughout its two parts, and the pantomime is delightful. Set in the early 1800s Parisian theater scene, the story revolves around the beautiful Garance and the men who fall for her, all based on historical figures: an actor, a crook, an aristocrat, and yes, a mime. The story woven between these characters is constantly shifting, highlighting new aspects of love, humanity, and the stage at every turn. It’s a dense, complex film that feels light and effortless. And while the performances are all outstanding, it’s Jean-Louis Barrault’s portrayal of the lovesick mime that’s the most difficult to look away from. I’m sorry I ever doubted it.