BLACK ORPHEUS, as the title might imply, is a retelling of the Greek myth of Orpheus, set in Rio de Janeiro with an all-black cast during the vibrant festivities of Carnival. As a refresher (because I had to look it up myself), Orpheus is the musician who ventures into Hades to retrieve his dead love. Unfortunately, the more compelling parts of that story (the going-into-hell parts) get far less screen time than the introduction of Eurydice and the love triangle that results. But this isn’t a film about the uneven storyline or the undeveloped characters. It’s only about the colors, costumes, dancing, and of course the revolutionary bossa nova soundtrack, which apparently paved the way for João Gilberto to do his thing. It’s certainly a fun film to watch, especially once the celebrations get fully underway, and it has some neat surreal elements towards the end. The viewer should be aware that the film’s clear love of Brazilian culture is a little tainted by its outsider French, white director. But that won’t stop me from my love of drawing dancing people.