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It’s clear from the first few minutes of Ingmar Bergman’s PERSONA that this film is something special and strange, and just a bit creepy. It opens with a collage of shocking imagery before settling into the main storyline of a young nurse charged with the care of an actress who has suddenly gone mute. They retreat to the seaside for her recovery, and there they spend most of the film alone in each other’s company. The performances by Bibi Andersson (with all the dialogue) and Liv Ullmann (with no dialogue) are both incredible, as their relationship shifts between amicable, intimate, hostile, and sexually charged. They’re highlighted by stark black and white cinematography, and propelled by just enough plot to keep things moving before the story starts to fray and fall apart. PERSONA is a puzzle of identity, gender, and existential angst that I have neither the space nor qualification to unravel. But even at face value, there’s no escaping the film’s mysterious emotional impact.