465. Dodes’ka-den

Akira Kurosawa’s first color film is a collection of stories set in a slum. Bookended by a young man who thinks he drives a trolley through the squalor, it’s full of characters who find ways of getting by. The stories range from light and humorous (I adored the two color-coded couples who swap husbands) to the macabre. The most memorable, and certainly most grotesquely theatrical, imagery comes from a homeless father and son who dream of their ideal home while things fall apart. Some of the plots are more engaging than others, but most of it I enjoyed. And though the stylistic combination of realism and fantasy can be disorienting, it mirrors the duality of the characters’ lives. Sometimes they live in grime and decay. Sometimes they live in exuberantly painted backdrops that are like the bright children’s drawings in the “trolley” conductor’s home. Kurosawa’s first use of color may be over the top at times, but you won’t hear me complain.

dodeskaden

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s