28. Blood for Dracula

Halloween really is the perfect holiday for a film blog. Last year I paid tribute with ROSEMARY’S BABY, and this year I sat down with Andy Warhol’s BLOOD FOR DRACULA, a film by Paul Morrissey that has nothing to do with Andy Warhol beyond his name. It’s been a long time since I’ve seen its sister film, FLESH FOR FRANKENSTEIN, and I don’t remember much about it other than disliking it. So it’s difficult for me to make comparisons. But either BLOOD FOR DRACULA is the much better film, or my expectations have changed over the years. Possibly the latter. I went into this ready for something painfully bad, and was surprised to discover a cohesive narrative and passable acting, with some beautiful sets and lighting, and of course a lot of delightful gore, nudity, and humor. Udo Kier makes for an otherworldly and oddly sympathetic Dracula, who needs virgin blood to stay alive but can’t seem to find any virgins. His rival, played by Joe Dallesandro, is a working class and sexually liberated upstart, which would make him the protagonist in any other film except that he’s also an asshole (and can’t really act). The result is some convoluted and heavy-handed political themes, but that only adds to the camp, which finds its fullest expression in the never-ending sequences of projectile-vomited blood.

So, what do you think I should watch next year?



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