58. Peeping Tom

The 1960 thriller PEEPING TOM follows shy, soft-spoken Mark—a disturbed cameraman who films women while murdering them, and with the same device. When first released, critics despised the film for its overtones of voyeurism and sexual innuendo, emphasized by suggestive cinematography and a powerful lead performance. Today, it’s those seedy psychological elements that are completely engaging, despite being predictably outdated. I only wish the film had been a bit scarier. It failed to frighten even at its most suspenseful, but it was still worth the ride. This is only the second film I’ve seen by Michael Powell, one of the most represented directors in the collection, and I look forward to seeing more.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s